1、The absurdity of theatre of the absurd results, in part, from the radical ways of symbolization.
荒誕派戲劇產(chǎn)生荒誕感的重要原因是基于象征手段的極端化。

2、The absurd does not liberate; it binds.
荒謬不會(huì)解放個(gè)人；它只是緊緊地纏住他。

3、At the same time, their sensitivity to the absurd is sharper than ever.
同時(shí)，他們對(duì)荒唐可笑的敏感程度比過(guò)去任何時(shí)代都要突出。

4、Thus the novels, like the Diary, propound the absurd question.
于是，這些的小說(shuō)，像《日記》一樣，均提出了荒謬的問(wèn)題。

5、That attitude for him involves some of the absurd consequences.
這種態(tài)度對(duì)他來(lái)說(shuō)也涉及一些荒謬的后果。

6、I propose to inquire whether or not the absurd can hold its own there.
我打算探討的就是，在一過(guò)程中，荒謬是否能夠維持它自己的存在。

7、Not to believe in the profound meaning of things belongs to the absurd man.
而不篤信事物深層次意義的就是荒謬的人了。

8、In any case, it propounds the absurd problem altogether.
無(wú)論如何，它提出了這個(gè)荒謬的問(wèn)題。

9、One does not discover the absurd without being tempted to write a manual of happiness.
人們不免要付諸于筆墨，寫一本幸福指南，之后便可悟出荒謬的精髓。

10、To the actor as to the absurd man, a premature death is irreparable.
對(duì)演員，也對(duì)荒謬的人來(lái)說(shuō)，過(guò)早的死去才是無(wú)可彌補(bǔ)的。

11、For the absurd of this existence assures them a little more of supernatural reality.
因?yàn)?/a>，這一荒謬的存在向他們多少相信了超自然的現(xiàn)實(shí)。

12、I see merely that the absurd work itself may lead to the infidelity I want to avoid.
我只是發(fā)現(xiàn)荒謬作品本身可能導(dǎo)致我極力避免的不忠。

13、If the absurd is not respected in it, we shall know by what expedient illusion enters in.
如果書中不尊重這荒謬，那么我們應(yīng)該知道幻念作為權(quán)宜之計(jì)溜了進(jìn)來(lái)。

14、In the absurd world the value of a notion or of a life is measured by its sterility.
在荒謬的世界中，一種概念或生活的價(jià)值是與它的貧瘠程度成正比的。

15、A mind imbued with the absurd merely judges that those consequences must be considered calmly.
混雜了荒謬之感的心智僅僅斷定：對(duì)于結(jié)果，我們必須處之泰然。

16、The absurd man recognizes as his own these harmonies and these forms.
荒謬之人把這些和諧之律和這些形式皆歸于其所有。

17、The absurd trial is a sendup of the court.
那荒謬的審判是對(duì)法院諷刺性的模仿。

18、Sophocles' Edipus, like Dostoevsky's Kirilov, thus gives the recipe for the absurd victory.
索福克勒斯的俄狄浦斯與陀思妥耶夫斯基的基里洛夫都提出了荒謬的勝利的法則。

19、In this regard the absurd joy par excellence is creation.
在這方面，荒謬無(wú)與倫比的快樂(lè)就是創(chuàng)造之娛。

20、The absurd trial is a send-up of the Dublin courts.
那荒唐可笑的審判是對(duì)都柏林法院的諷刺性的模仿。

21、Here the threat of the absurd caused participants to re-affirm their belief in justice.
在這里引發(fā)了參與者對(duì)荒謬的威脅，從而重新確立他們對(duì)司法的信念。

22、You have already grasped that Sisyphus is the absurd hero.
你已經(jīng)明白了，西西弗斯便是這荒謬的英雄。

23、The Theatre of the Absurd and the American Dream
荒誕派戲劇與《美國(guó)夢(mèng)》

24、For one it is awareness and for the other, revolt; in both cases the absurd has disappeared.
對(duì)前者來(lái)說(shuō)，這就是意識(shí)；對(duì)后者來(lái)說(shuō)，這便是反抗。而在這兩種狀況下，荒謬卻已經(jīng)消失不見了。

25、The absurd creator does not prize his work.
荒謬的創(chuàng)造者不會(huì)以他的作品為榮。

26、The absurd man multiplies here again what he cannot unify.
這里，荒謬的人因?yàn)闊o(wú)法統(tǒng)一再次選擇繁衍自我。

27、The absurd trial is a send-up of the Dublin courts
那荒唐可笑的審判是對(duì)都柏林法院的諷刺性的模仿。

28、In the time of the absurd reasoning, creation follows indifference and discovery.
荒謬推理之時(shí)，創(chuàng)造尾隨著漠視與發(fā)現(xiàn)。

29、The absurd trial is a sendup of the Dublin courts.
那荒謬的審判是對(duì)都柏林法院諷刺性的模仿。

30、Thus it is that Kafka expresses tragedy by the everyday and the absurd by the logical.
于是卡夫卡用平日詮釋悲劇，用邏輯比照了荒謬。